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HARMAN MPX550
User Guide


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  • Language: English
Price: $4.99

Description of HARMAN MPX550 User Guide

It's a complete guide ( also known as operating manual or owner's manual), and it's in PDF format. After placing order we'll send You download instructions on Your email address.

The manual is available in languages: English

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Text excerpt from page 90 (click to view)
MPX 550 R Dly 1, 2, 3 (0ms to 5.060sec) RvbLvl

Parameter Descriptions
(off, -48dB to 0dB) In Ambience programs, controls the amount of "extra" longer-decay reverb added to the effect. In Ambience, short-decay early reflections create a real-room sound. Shape (-100 to +100%) (0 to 255)

Sets the delay time of right voice 1, 2, or 3. The Dly/Eko effect has three independent voices on each side. Rate Controls modulation speeds. Res 1, 2 (0 to 50.05Hz)

Controls the buildup of the early reflections that most audibly create the sound of a real room. Shape and Spread work together; if either is set to 0, the other has no effect. Size (4.0 to 76.0m) Sets the rate of echo density buildup after the initial period (which is controlled by Diffusion). It also acts as a master control for Decay. Size changes a reverb sound from very small to very large. It is recommended to set the Size control to the approximate size of the acoustic space that is being created before adjusting other parameters. The size in meters is roughly equal to the longest dimension of the space. (Adjusting the Size parameter causes the program to re-load.)

In Chorus programs, control the amount of feedback signal. Resonanc (-100 to +100%)

In Flange programs, controls the amount of feedback. Rt HC (28Hz to 19.4kHz, off)

Sets the frequency above which high frequencies are rolled off in the reverberated signal, causing reverberated signals to grow progressively darker. This results in a more natural sound because it simulates the effect of air absorption in a real hall. Setting this parameter to a low- frequency dampens the audio as it re-circulates, and consequently can actually shorten the reverb time.

5-9

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